With Princess and the Frog and Tangled, Disney opened the season for a cinema of modern princesses, past the stereotypical figure of a girl beat the demands of the script. The opening and ending gender is fixed, but was in his hands the opportunity to give a twist to development, and Frozen: The kingdom of ice have finished defined in this new - and positive - modus operandi. You know, we can offer you the same old thing with a different wrapper, and apparently you are selling something different. In this case it is a bit such that well, except that the result is palatable. It was enough to give a secondary role to love and villain and let them run the story, a bit of classic Disney musical and magical, a little of the good work sucked Pixar animation and all mixed with characters full of charisma. Because the wonderful thing about Frozen: The kingdom of ice is in the characters, friendly, approachable and full of life.
The Princess is involved in the main plot, yes, but not because of an evil witch. In fact, the princess is causing the evil in his kingdom, there is nothing. And in return, will his sister and the characters around him that perpetrate most of the action. Hit like Olaf that bring humor to the film or to relocate to romance with co-star nut turns to some unexpected point, make Frozen: ice kingdom a very worthy film in Disney's annual meeting, which although - perhaps too - concessive when channeled to end with a happy ending, you get to keep the smirk over his nearly two hours. But if something besides the short highlight - great Mickey Mouse there before the movie - is the work of Christophe Beck soundtrack.
Is impeccable, and he even mouths of the characters, which return the classic musical from Disney for a film able to excite both the father and the son, or myself. And is that the classics are irreplaceable, but recover the history of yesteryear with new shades and the latest techniques of animation is quite a great pleasure.
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